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Gilles & Boissier — Un lieu ne finit jamais de se révéler.
[portrait & image de marque]

Portrait de Dorothée Boissier et Patrick Gilles, fondateurs du studio d Composition éditoriale de Line Brusegan associant un texte manuscrit sur sa pratique photographique à un escalier en marbre noir aux lignes courbes, réalisé par Gilles & Boissier pour Moncler à Londres. Composition photographique d Diptyque photographique d Photographie d Diptyque d Composition photographique de la boutique Gilles & Boissier à Paris, associant un salon aux moulures dessinées, la façade de la Maison et un détail de mobilier contemporain. Photographies de Line Brusegan. Photographie d Diptyque photographique d Photographie d Composition photographique de détails architecturaux par Gilles & Boissier, associant des objets décoratifs, un luminaire, des textures sombres et un panneau de bois sculpté. Photographies de Line Brusegan à Paris. Photographie architecturale en contre-plongée de l Diptyque photographique du projet Moncler par Gilles & Boissier, associant une composition d Photographie d

Crédits

English translation

GILLES & BOISSIER

Dorothée and Patrick, Paris 2024

A place is not only something to be looked at. It is something to move through, to feel, to discover.

For several years, I have photographed the spaces conceived by Gilles & Boissier. With each project, I have learned not simply to look at their architecture, but to observe what gives it form: light passing through a room, the meeting of two materials, a shadow across an object, a passage, a detail that might otherwise have gone unnoticed.

I rarely photograph a place as a whole. I prefer to approach it slowly, to seek out what naturally draws my gaze and understand why I pause there.

In this way, project after project, the photographs become more than documentation of a space. They tell of a way of inhabiting it.

Line —

To look at an object is also to observe the relationship it has with its surroundings.
An object is never entirely silent. It speaks of a way of living, creating and inhabiting.
Some details hold the spirit of an entire place.
There is a relationship between an object and a space. That is often where I begin to look.
Every place leaves a trace. Some stay with us.

Line —

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